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Q&A With Champagne Drip

Sam Pool, aka Champagne Drip, is a electronic music producer from Los Angeles, California. For most of his producing career, Pool made drum n’ bass and dubstep under the name SPL. But for Sam, he was not one to remain a slave to his own genre. He wanted to branch out as something fresh and different. Over the last year, he developed this identity as Champagne Drip. Keeping it anonymous at first, Pool began to make waves within the dance music community with his new futuristic and melodic bass sound. Coining his style as, “drip-hop,” his music is a mixture of many different elements including hints of his old style as SPL, several different tropical sounds, and melodic bass. It is a style of music that can be enjoyed on the dance floor as well as chilling in a chair on the beach somewhere. After playing here in Atlanta at Iris, I got to spend a little time with Sam Pool and get to know him a little better.

 
Champagne Drip is a unique name. How did you come up with that?

About a year ago, I was working in this studio and I was in there after having a pretty crazy night before. That was also 6 months into writing music without a name, by the way. I just couldn’t come up with a name at the time. I was hungover as hell and lying on the floor in the studio and I said, “Just put me on a champagne drip.” I stopped and looked at my manager with that, “Ah-ha!” moment. I immediately Googled the name to see if anyone had that and nothing came up. So I bought the domain and registered the name on social media without hesitation.

 
Since you changed your identity, was it because you didn’t like to stick to one genre, or was it for another reason?

Musically I’ve always been sort or all over the place as far as electronic music goes. With music I just messed with everything. As SPL developed, the first tracks I put out were drum n’ bass and then after a few years I got into dubstep. I released my first dubstep tracks around 2008. Even that was really challenging. I got tons of flack for it too, and they all said I was “selling out”. That was confusing to me because I was enjoying that type of music before it really became a thing.

 
Why do you think drum n’ bass didn’t really blow up like dubstep did?

Skrillex is a good example for that. He really blew up and kind of took dubstep to another level. Dubstep pretty much changed everything since the dnb days. And to be honest, drum n’ bass never really had a “Skrillex”. Goldie would probably be that one guy for drum n’ bass that is well known. Or even Pendulum, maybe. But not that many people know those guys like they know Skrillex. So essentially, if drum n’ bass had that famous person for the genre then maybe it would be as big as dubstep in my opinion.

 
You think there is a reason behind that?

I think it’s just the way things are. Your average music fan isn’t really into music as much as maybe you or me. In general a lot of people really aren’t that into music. Some just have the radio and they know what they are exposed to, but they don’t truly dig any deeper than that. Like that’s satisfying for them and they have the few songs that they like and that’s it. Very few people actually make an attempt to truly explore music as a whole.

 
What was your transition from SPL to Champagne Drip like?

As SPL I was experimenting with different with different styles. I just felt myself getting musically further and further away from how I originally branded myself. Back then I really didn’t study the emotion in music other than making music dark. I was really into writing angst-driven, super heavy drum n’ bass. That’s how SPL was branded, and that’s what I became known for. Over about 10 years that became boring, and I wanted to branch out a little.

I needed to come up with something creative. I listened to a lot of Phil Collins, which is what inspired me the most with Champagne Drip. I wanted to reach into the past and include elements from when I was SPL and incorporate new sounds along with it.

 
Future bass seems to be an under the radar genre that is slowly building in popularity. But with that, there are a number of people who don’t enjoy it. Do you think it could be that music fans are lazy and they don’t truly know if they like it or not?

Honestly, it’s not a genre that I am personally attracted to. I’ve dug down into it, and explored it out of a need to make Champagne Drip fit into a context all while having other people’s music to DJ. I didn’t know that it was going to be “future bass” or whatever. I wanted to make music that had a mix of tropical elements, influences of jungle with reggae, as well as hints of my past with drum n’ bass and dubstep.

 
Why do you think music fans have this, sort of, love-hate relationship with future bass?

I can understand why people wouldn’t really get into it that much though. There’s a big contrast between commercial EDM and other genres with the raging party vibe, and the satisfying feel of all the builds and drops that EDM has. In contrast that can be sort of a let down for people who aren’t used to future bass style. If you’re expecting that kind of raging experience, it’s not going to provide that for you. If you played that like 20 years ago, though, it would probably be banging compared to other shit.

 
Let’s talk about your time as an anonymous producer with Champagne Drip. Did you reveal yourself because you were tired of keeping that act up, or was it for some other reason?

Well it got to the point where the conversation left the music and went to being people asking, “Who is this dude, and why is he anonymous?” It began to defeat the whole purpose of me being anonymous. I feel like a lot of music is like a gimmick and people need something to attach to it. So after a while, it really did seem sort of gimmicky. I know of a few people who are anonymous with producing, and one in particular actually doesn’t enjoy it. He ends up being just another face in the crowd when he’s not on stage. Which is cool, but some of the perks of the artist lifestyle is that fan appreciation. I would still be driven to make music, but I would be lying if I said that I didn’t enjoy the appreciation from the fans. So if you remain hidden, you end up missing out on some of that enjoyment.

 
Wasn’t it entertaining to see the blogs try and pin who Champagne Drip was?

Yeah, it was great! A lot of people tried to say that it was Diplo which was funny. I was surprised that no one was really able to guess that SPL was behind it. It shocked me because I even had a few slip ups here and there and I thought that people would find out but didn’t.

 
I noticed something when you played that show at Iris recently. You seemed to be friends with a lot of those people there at the show. Is Atlanta one of your top spots to travel to?

This was maybe my 3rd or 4th time this year in Atlanta which is pretty cool. I played as SPL, but I didn’t even play much drum n’ bass out here. Then Mayhem brought me to the Atlanta Dubstep at Graveyard. I met Ployd on the first gig and we ended up becoming good friends. I’ve just made a bunch of friends out here as I spent more time in Atlanta. I never just go for one night either, it’s always a few days just to enjoy my time in the city with people. I really do enjoy coming here and playing, especially for Iris since they are the ones who consistently book me.

Grandtheft to Headline Havana Club Atlanta

Atlanta, get yourselves ready for a big weekend! Throughout the city there are tons of events going on. Tonight, Grandtheft’s ‘Quit This City’ tour is stopping in Atlanta to play at Havana Night Club. (Ticket Link)

 
Grandtheft has established an electrifying, custom club sound by combining mostly his own originals, remixes and edits. He is well known throughout the EDM scene, and is arguably one of the top producers out of Canada. He has delivered official remixes for some big names in music: Drake, Steve Aoki, T.I., Dillon Francis, Diplo, to name a few. His biggest to date is the collaboration with Diplo on Calvin Harris “Sweet Nothing”

 
Check out Diplo and Grandtheft’s Remix of Rihanna’s, “Bitch Better Have My Money.” Racking up over 8 million plays, this futuristic trap remix is still playing around festivals and clubs 7 months after it was released.

 

 
If you haven’t purchased your tickets yet, click here for the direct link for the one event you do not want to miss out on this weekend!

 

A Kingdom Rave Christmas With R.L. Grime

Kingdom Rave is back once again in Atlanta this Friday, December 11th!

 
This growing electronic dance music event has undergone a few changes over the past couple years. Since then, Kingdom Rave has adapted and has become arguably one of the top EDM events in Atlanta. It feels like each Kingdom Rave event gets bigger and better; and they do it by bringing the best local and regional talent, as well as top tier headliners electronic music has to offer. What have they planned this holiday season? R.L. Grime will be headlining at their newest and best venue yet, Live Oak Plaza.

 
First of all, if you haven’t seen R.L. Grime live yet, then here is an early Christmas gift. Henry Steinway, aka R.L. Grime, is a genre-bending producer out of Los Angeles, California. Grime has played here in Georgia earlier this year at Counterpoint Music Festival. Getting the chance to see R.L. Grime at Counterpoint this past summer was a life changing experience. His sets deliver a heavy hitting mix of bass music and even some hip-hop thrown in as well. With that said, it is thrilling to see this man coming back to the south to shake down the house for the holidays.

 
With the Kingdom Rave Christmas fast approaching, we strongly urge you to get your tickets while you still can. R.L. Grime is no elf on a shelf and will definitely be expected to pack the house out this Friday night. If some Grime doesn’t quite cut the cookie for you then this might help do the trick- Dubstep producer,The Widdler, (who’s a hidden gem) will be joining Grime, plus stacked lineup of locals so good even Santa himself couldn’t deny it. Prepare your dancing feet for some heart-warming and simultaneous head throbbing sound from R.L. Grime and company at Kingdom Rave this Friday.

 
Here’s a little mix from R.L. Grime to get you ready for this Friday’s festivities.

Take A ‘Journey Into The Champagne Sea’ With Champagne Drip at Iris

It’s time for something new here in the city of Atlanta. Something that’s not the norm. Something that is not part of the cookie cutter electronic music that everyone is used to by now. This Saturday at Rush Lounge, Iris Presents has the answer: Champagne Drip.

 
Who is Champagne Drip? Why has he been flying under the radar for most people in the music scene? Sam Pool, aka Champagne Drip, is the man behind the new project. Pool launched the Champagne Drip project in 2014. For those that do not recognize the name Sam Pool, he is also responsible for the future melodic dubstep and drum n’ bass sounds with his former name, SPL. In a recent interview with Souls In Action, Pool stated that he wanted to create something different from SPL. “I was listening to lots of Phil Collins when the first Champagne Drip tracks were written. I also wanted to incorporate my experience in writing Drum n’ Bass and heavy dance music. I think some of the engineering techniques come from writing harder music, but since the goal of Champagne Drip isn’t to be hard, something new is created.

 
Sam Pool wanted to keep his identity a mystery for the beginning stages of the Champagne Drip project. Up until recently, no one knew who was behind the music. The trend of producers remaining anonymous has gained popularity over the last few years- ZHU, UZ, Marshmello, ATLiens. But for Sam Pool, he didn’t dawn a mask or post little mysterious riddle-like statements on social media. Instead, he just wanted to let his music do all the talking for him. Pool decided to reveal his identity earlier this year. He claimed that hiding his identity became too much of a gimmicky look, and he truly wanted to be able to own the style he created proudly without hiding it.

 

As mentioned before, Pool was already producing melodic dubstep as well as drum n’ bass styles with his former name as SPL prior to Champagne Drip. To describe the style that is Champagne Drip, it actually sounds like a mixture of future bass with a hint of tropical vibes, and even a mellowed out feel of drum n’ bass on occasion. You could enjoy the sounds of Champagne Drip on a club dancefloor as well as in a relaxed environment. Check out his latest EP – ‘Journey Into The Champagne Sea’. It is available for free download as well.

 

 
If you’re ready to experience a new sound that you probably have never heard before, make sure you grab your tickets and come out to Rush Lounge in Atlanta and check out this new future sound that is, Champagne Drip. Tickets are still available at Iris Presents. Also check out this great future bass mix featured on Insomniac.com. Here you will find all sorts of melodic and future bass goodies, and it might even give you an idea of what you will get with Saturday’s show.

 

Friday the 13th With NGHTMRE at Opera

NGHTMRE brought a mixed bag of work to Atlanta on the 13th that shook out some stellar vibes. Upon discovering him through SLANDER he made it apparent that his trap talent is only going to get bigger and better. His appearance at Opera Nightclub in Atlanta was his first show here in Georgia.

 
His set started strong and he pulled out all the plays we were wishing for like his remix of GRiZ’s song Stop Trippin and his summer banger STREET. The crowd was smaller than what the usual but it was understandable. NGHTMRE is still up and coming but moving quick having gained support from RL Grime, Jack U, and Flosstradamus.

 
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The man is going to earn some respect here soon especially if he continues to reinvigorate the trap genre of EDM. He has a fine gift with bringing the grimy trap sound to his production. Surprisingly however the amount of trap NGHTMRE played being in Atlanta was not to par factoring in what he likes to produce. Usually most DJs know to bring a trap heavy set when they come to Atlanta as long as it comes with the territory and genre they play. Being a trap heavy producer I assumed as much from NGHTMRE. Yet surprisingly it was a very mixed bag of house, trap, and mainstage. That does not go to say he didn’t kill it. NGHTMRE has a future ahead of him as long as he sticks to his guns.

 
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Right now he is finishing up his tour with a spot at Trapfest out in Austin, Texas. Check out his tour dates here and don’t forget to creep on his SoundCloud too. The next couple months will reveal some fire production from this up and comer and it will be interesting to see what he brings to our world.

 
Author: Kasie Gilbert

Liquid Stranger Pulls Out All Tricks and Treats On Halloween

If you spent your Halloween anywhere else besides Iris at Rush Lounge, then you missed the most electrifying Halloween set in Atlanta. Swedish producer Liquid Stranger graced the Iris stage last Saturday night to a crowd of dub thirsty fans. Best of all he did not disappoint.

 
Liquid Stranger, also known as Martin Staaf, has made waves in the electronic industry doing what he does best; infusing different genres and creating distinct and moving sounds that appeal to all hearts and ears. His skills were ever so prevalent on Halloween night at Iris and all of the goons and monsters came out to see him.

 
The setting was perfect: cold, windy, and rainy outside where the lines wrapped around the building. The crowd reflected every evil villain, famous serial killer, cute and cuddly cat, or Disney princess you could think of. Once inside Rush Lounge screamed of wicked spirit and fantastic music. Between the cobwebs and confetti Liquid Stranger found the crowd and gave them all he had. His beats were steady in flow and so much his own. His set lit the entire place up and no one was disappointed (except maybe those who didn’t make to the show).

 
The Iris team did a spectacular job with production and entertainment. The house was packed wall to wall and fans kept the energy high and bright. Seeing Liquid Stranger on Halloween was hands down a wonderful scare. And if you missed his rogue like presence at Iris then go take an adventure on his website, www.liquidstranger.com, and his SoundCloud, where you can listen and rage to his newest mix, “Spawn”.

[soundcloud url=”https://api.soundcloud.com/tracks/231385156″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

Something Wicked 2015 Rained Out

Halloween is looming like a harvest moon in the fall sky; but unfortunately for the Lone Star state of Texas, they shall have to wait a little longer for the next music festival. Something Wicked, Disco Donnie Presents’s and Nightculture’s haunting lovechild, got rained out by Hurricane Patricia.

 
Nobody minds a bit of rain during a festival. For some, dancing around in the mud is on another level. Lightning is for sure an issue; but a hurricane? Now that’s a dangerous situation for any outdoor event to deal with. Hurricane Patricia was a tropical cyclone that formed in the eastern Pacific, and she rapidly intensified into a monster Category 5 hurricane. Weather forecasts predicted at least a foot of rain to fall in Houston the same weekend of Something Wicked which was a cause for concern. Will this be another Something Wonderful?

 
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Something Wonderful was the spring sister festival of Something Wicked held in Dallas back in April. It was rained out half way through, causing a lot of disappointment. Most of the Something Wicked tickets were refunded from Something Wonderful. With Patricia coming in, many festival attendees are skeptical about the weekend using hashtag #SomethingWetPart2 and #SomethingCanceled. Although these were funny, in reality nobody likes a canceled music festival. Just look at the lineup! It’s so perfect that nobody wants that to get rained out.

 
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Prior to the weekend, there were lots of official statements to reassure festive attendees that Something Wicked will do their best to not let Patricia rain on their parade.  Even the CEO of Disco Donnie kept a light heart to the heavy situations.

 
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Over the weekend, as people slowly made their way to Houston despite the heavy rain, Corsicana got flooded so badly that they shut down all major highways throughout the city. This caused major delays throughout the weekend for anyone driving from Dallas down to Houston. Even Houston had flooded highways! As Saturday rolled around, things were not looking good. Because of the constant heavy rainfall, Something Wicked unfortunately got flooded. And when we mean flooded, it’s basically a lake.

 
 
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It is completely out of the organizer’s hands when it comes to situations with the weather. Disco Donnie had to cancel the entire festival and issued a second refund policy this year. Just imagine how much money they lost from both Something Wonderful and Something Wicked.

 
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The Official afterparties were still a go, and many attendees were able to rage during the night. Several other afterparties popped up last minute as well to accommodate for those who weren’t able to get their hands on a ticket for the Official Afterparty held at Stereo Live.

 
However, there is a bit of good news for those who bought their tickets for the festival; they will get a full refund from Something Wicked. It’s a hard call for people who resold their tickets to others. And for those tickets that were originally Something Wonderful tickets, will they be refunded again as well? The vicious cycle still continues. Disco Donnie has announced that those particular tickets will be turned into Something Wonderful 2016 tickets which will be held April 23, 2016 in Dallas, TX.

 
Negativity is expected, but the biggest trooper throughout this entire process is James “Disco Donnie” Estopinal Jr. If you want some entertainment, go to his twitter page. He spent a whole day responding to tweets, calling his day a reFUNd day.

 
 
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Remember, no entertainment company wants to waste millions of dollars on a rained out festival. They strive to provide the best show for music lovers each year. Disco Donnie Presents unfortunately has suffered from a very difficult and wet year. There are many inquiries about Something Wonderful 2016, and we’ve got some hints about it.

 
 
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We’ll see everyone next year in Dallas at Something Wonderful 2016, rain or shine. Heck, we’ll even bring floaties too!

Interview: She is Leah Culver (VIDEO)

“I’ve never felt like I couldn’t do something. Maybe it’s the adrenaline.” A sip of Sprite, “It’s important to push your own limits,” she said. “You should always do the things that make you kind of nervous.” Too shy to introduce herself to the audience, for years Leah Culver of MK Ultra relied on Glenn Goodhand the owner of Iris Promotions in Atlanta, to announce her name when she would headline at Iris. Self-described as an introvert who taught herself how to be an extrovert, she said “It took me three years to get on the mic and yell ‘Hey! What’s up guys! My name is MK Ultra!’ I’d always hand the mic to Glenn, [until] one day he handed the mic right back to me.” Even now when Leah talks on the microphone during her concerts, her voice is deeper and more masculine than her natural talking voice. Leah’s speaking tone is slightly higher pitched at times, and soft but with a little bit of rasp in the upper register. Her voice is a mix of smoke and silk.

 
Recording as a featured artist on a track with Pyramid Scheme has opened up a new avenue for Leah to express herself musically to her fans. Singing has always been a large part of Leah’s life, but for various reasons, she kept that part of herself away from the public eye at first. Leah puts part of herself in each song she sings, and she does not enjoy revealing that side of herself to just anybody. Leah is what some would call a perfectionist. Revealing her vocal talents to the world has generated promising opportunities for Leah that she would never have earned if she was still just a DJ. One could say that DJ’ing as MK Ultra is now more part of her past than her future.

 
Originally, when the MK Ultra project began gaining traction in the social spheres of Atlanta’s EDM scene, Leah had no idea how far her DJ’ing career would progress. At a young age she knew that music was going to play a large part in her career as an adult, but originally she did not intend to become the female equivalent to Skrillex or Diplo; Leah just enjoyed finding new music and DJ’ing at clubs with her friends. In the back of her mind, becoming a singer, song writer was always the ultimate goal.

 
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Since then, Leah has become quite the talented music producer. Her hard work has earned her networking opportunities with multiple professionals in the industry, and she is constantly approached by big names in the industry who see her potential. One of the biggest examples of this is her collaboration with Trinidad James, the visionary behind the hit song “All Gold Everything.” Their song “Tantrum” was the first song that truly showcased how far Leah had progressed as a music producer, and it turned a lot of heads from nay-sayers who were convinced that she was little more than a musical puppet. It was around that time that she decided that her time as MK Ultra needed to come to evolve as it would have anyways.

 
“I picked MK Ultra because I could hide the fact that I was a female behind it,” she confessed. “It was important to me that I wasn’t out right seen as a female because I didn’t want to play a gimmick. I didn’t want them to know right off the bat that I was a girl. ” At one point she toyed with the idea of performing completely incognito with baggy clothing and a mask so as to make her gender an enigma. Looking back, the featured content on MK Ultra’s social media was definitely more masculine during 2011 when MK Ultra was just hitting Atlanta’s DJ scene. Her wardrobe relied heavily on jeans, flat-brim snapbacks, and graphic hip-hop tank tops. Her current apparel is much more feminine at times, a stark contrast by comparison. Accepting herself for who she really is has become self-evident to her audience, and her presence in the digital music community has grown almost overnight.

 
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In fact, now that Mark Zuckerberg purged all the fake accounts off of his servers, Facebook likes are more valuable than ever. Leah Culver’s Facebook page blew up over the past four years, and her artist page is nearing 50,000 followers. This boom in social media reach was generated with the help of Leah’s creative director and general manager, Valdano Terzic. His experience working for Illuminate, Liquified’s Friday night weekly at Opera nightclub, has proved invaluable for both of their careers. Since the two of them met at Iris last year, Val has helped transformed Leah’s career from local DJ to budding pop-star but don’t take it lightly that Leah and Val work the same hours next to each other all day working on all aspects of her marketing. Leah is very much fine-tuned in her business and how she wants things done. She is fast approaching a new echelon in her career as a musician. As she begins to step out of the underground and into the spotlight on a national or even global stage, she will face new hurdles that few DJ’s from Atlanta’s Inferno Lounge days have had the opportunity to attempt. Her future as still being shaped is very promising as many have taken notice.

 
One thing about Leah Culver that is certainly promising: she is a fantastic singer. “I feel I write a lot of things that are very fueled by heartache,” said Leah as she softly improvised on the piano. “I feel like I’ve been through a lot of just that, heart ache.” Her colorless fingernails passed over the keys as she sang impromptu lyrics about crashing waves of light. At times she would pause her playing and laugh to herself, a brief glimpse of a shy girl who is not used to singing in front of strangers. The more she played, the more she became engulfed by the soothing resonance of her own voice. Her face grew somber and poised; her eyes glazed over as she delved deeper into the recesses of her mind, pulling emotions to the surface and laying them bare before the camera. This was the real Leah Culver, her outer layers stripped away from the husk.

 
Photo Credit: DV PhotographyPhoto Credit: DV Photography

 
“I love to sing. Since I could speak I’ve been singing. Since I could write I’ve been writing lyrics.” Becoming a DJ was more of a detour than a shortcut for Leah, but early on in life she discovered a passion for music. Born from a family of artists, Leah’s creativity was encouraged by her mother, an energetic woman full of positive energy and a desire to make others feel comfortable. As the youngest sibling of two musically talented older brothers—one a drummer and the other a DJ—Leah Culver was immersed in the world of live music during her youth. Her stepfather secretly told me that her mom can play the bagpipes! Contrastingly, Leah’s father can play the didgeridoo, and he even helped her pick out Leah’s DJ name, spurred from his affinity for conspiracy theories and spy craft.

 
“I feel like I’m a good balance between my mom and dad,” she said they raised me to be pretty evened out.” She starts all her sentences with ‘I feel’; any guidance counselor would be proud. “I feel pretty comfortable in my body. It’s been a process.” A systematic process, apparently. She recounted stories of time spent with her father, a survival expert trained in the art of remote viewing. He would perform remote viewing exercises with Leah while playing games with her as a child. Together, she would sit with him in public places, describing what she envisioned just beyond her periphery. Her father would ask her to count the number of people sitting in the table behind her without peaking; sessions that encouraged her to be aware of her surroundings by using extra sensory perception. When Leah got older she began reading social psychology books and adopting the attributes of successful people. She eventually took Dale Carnegie’s leadership classes, the author of “How to Win Friends and Influence People.” Leah’s tattoos and pink hair stuck out amongst the suited business men in the seminar, but she did not let it affect her attitude: positivity. She practically radiates positive energy, and her whole goal in life is to create light for others.

 
Leah does not recognize her star presence in the same way that her fans do. In her mind, Leah is just being Leah. The effect that she has on others is noteworthy, but she seemed surprised to learn that people experience an atmosphere of star power in her presence. Many have remarked that she looks and dresses like a famous person, and this atmosphere of fame that hovers around her can be enchanting. Recently, Leah and Andrew Levene of Stranger Candy went to Japan with Cali Da Kid and the Bass Bot to perform in Tokyo. When they arrived, everyone treated them like rock stars, open mouth gawking and taking pictures. People were coming up to take selfies with the group, but no one even knew who they were. Their entourage simply emanated stardom.

 
Separating herself from being known as MK Ultra may have been a smart move for the career path that Leah wishes to pursue from here on out, but so much about what makes Leah Culver the type of person she is stems from what MK Ultra truly is. Clearly there is a strong sense of connection with her father that has burrowed a soft spot in her heart for the nickname MK. Leah was raised to be an intelligent, intricate individual at such a young age that simply being in her presence can make one feel inspired to be a better, more positive human. It is for this reason that Leah is so dead-set on removing her attachment from her old DJ name. Plain and simple, the name MK Ultra stemming from {Project MK Ultra has a negative connotation attached to it simply due to the history behind the name far before Leah chose to use it. Project MK Ultra did harm to the world, and Leah is the total opposite of that. In her words, “I’m not leaving it, I’m evolving.” Leah Culver is so well established that people know her by first and last name, so it seems the transition from MK to LC is more rebirth than evolution. Leah’s decision to move forward as an electronic singing act that plays live instruments only feels natural to her. We are all very excited to see how these changes take shape and grow with the same great potential that is clear to see in her. Expect to hear more about Leah Culver very soon!

 
Video Credit: DV Photo Video

 
 
Author: Tyler Morris of Ravers Choice & EDM Network

Day For Night Festival 2015 Lineup Announcement

Free Press Houston is proud to announce the lineup for their winter experimental arts and music festival Day for Night Fest and boy were we ready. If you haven’t heard by now, Day for Night Fest is the winter sister event of Free Press Summer Fest held every summer in Houston Texas. This highly anticipated festival first announced at the end of August caused stir in the Texas EDM community. With the first wave of tickets starting off at just $135, it was a dead giveaway that the lineup would be huge.

 
After a month long session of teasers and silence, Free Press Houston graced us with the full lineup! They cleverly divided the talent into two categories; Sound for the musicians and Light for the digital artists. Headlining the sound half of this winter festival is Kendrick Lamar, New Order and The Phillip Glass Ensemble, followed by EDM favorites Dillon Francis and Madeon. The gorgeous and talented, Janelle Monae will join them along with multiple other musicians and local artists!

 
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Two-day general admission passes are priced at $185, and VIP packages are $750. This is not a bad price considering the amount of talent and production you will be getting. Day For Night is an all age event and will take place at the six-block area surrounding Silver Street Studios in Houston on December 19 and 20.

2015 Bottom 100 DJ List Results Are In

In the midst of the hooplah that is the DJ Mag Top 100 DJ List, there is another poll that has made its return once again. The results are in for the 2015 Bottom 100 DJ List. Created last year by the Swedish Electro duo, Dada Life, the Bottom 100 DJ List is a parody of the traditional Top 100 List. The list received a ton of feedback last year, and it is definitely getting some attention again.

 
Coming in at the number one position of the Bottom 100 is the one and only, David Guetta. Shocker, right? This poor guy just can’t get away from being made fun of in some way by the EDM fan base. It comes as no surprise that the usual suspects are on the list as well like Hardwell, Vinai, Dimitri Vegas & Like Mike, Martin Garrix and so on. But there were a few funny ones thrown in, too.My Penis made his way in to number twelve spot, DJ Potato dropped to number seventeen, and Barack Obama got his spot at number fifty six.

 
Here is the top 20 of the Bottom 100 List. Check out the full list on the official website here.
 
1. David Guetta
2. Deadmau5
3. Paris Hilton
4. Vinai
5. Professor Meowingtons
6. Dimitri Vegas & Like Mike
7. Hardwell
8. Martin Garrix
9. Dada Life
10. DVBBS
11. Steve Aoki
12. My Penis
13. KSHMR
14. Tiesto
15. Armin van Buuren
16. Avicii
17. DJ Potato
18. Borgeous
19. W&W
20. Delta Jack

 
 
Below is the prestigious trophy for being the No. 1 on the Bottom 100 DJ List for our special friend, David Guetta.

 
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